PROTECTION OF PERFORMERS RIGHT IN INDIA: A CRITICAL ANALYSIS

Main Article Content

KUMAR KUNJ RAMAN, SEEMA YADAV

Abstract

Artistry resides in the soul of India.India's Hindu religion, culture, art and tradition is the oldest in the world behind which is the hard work of our forefathers as well as the grace of Lord Shri 'Ram'then we are able to compete with the world today.India has always talked about human rights, it cannot be denied.In this context.the rights of the security of artists in India have always been kept in mind. This research paper endeavours to critically analyze the development of the performers’ rights over the years. It attempts to examine the existing legal protection for performers under the Copyright Act, 1957.

Article Details

Section
Articles
Author Biography

KUMAR KUNJ RAMAN, SEEMA YADAV

1KUMAR KUNJ RAMAN, 2PROF. SEEMA YADAV

1Research Scholar

2Professor

School Of Law Galgotias University, Greater Noida,Gautam Budh Nagar , Uttar Pradesh, India-201310

References

Prof.V. Subramani, The Sacred and the Secular: Symbiosis and Synthesis —Roots of Drama in Hindu Religion in Prof. Subramani (Ed), The Sacred and the Secular in Indian Performing Arts, Ashish Publishing House, New Delhi (1s!edn. -1980)

T.C. James, "Performers Rights in the Digi- tal Era”, Paper Presented at the National Seminar on Challenges of Internet Cyber Law and Enforcement of Copyright Law, March 3"" to 4”’,2001, Indian Law Institute, New Delhi

T.C. James, Performers Rights In The Digital Era", Paper Presented at the National Seminar on Challenges of Internet Cyber Law and Enforcement of Copyright Law, March 3" " to 4' $ , 2001,Indian Law Institute, New Delhi, Rajeev Dhavan, Coping with Copycats”, Frontline,

28/7/9-Application to Performers’ Rights in the Music Industry.” vol. 52, no. 1999, pp. 369-390. 14. Indian Singers’ Rights Association V. Bar and Restaurant AIR.